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Electronic and Computer Music

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In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day. After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early classic In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day. After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early classical studios of the 1950s. He goes on to chronicle the upsurge of creative activity during the 1960s and 70s in the analog domain, as well as with live electronic music and the early use of electronics in rock and pop music. This edition contains new information about software innovations, digital media and the essential features of digital and audio control, the MIDI synthesizer and its many derivatives, and the evolution of computer workstations and multimedia personal computers. Manning offers a critical perspective of the medium both in terms of its musical output and the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on this ever-evolving subject.


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In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day. After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early classic In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day. After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early classical studios of the 1950s. He goes on to chronicle the upsurge of creative activity during the 1960s and 70s in the analog domain, as well as with live electronic music and the early use of electronics in rock and pop music. This edition contains new information about software innovations, digital media and the essential features of digital and audio control, the MIDI synthesizer and its many derivatives, and the evolution of computer workstations and multimedia personal computers. Manning offers a critical perspective of the medium both in terms of its musical output and the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on this ever-evolving subject.

47 review for Electronic and Computer Music

  1. 5 out of 5

    David Chmelik

    This was the first book on electro music I picked up at the Grants Pass, OR library. It is interesting but was kind of big for me at the time. I still need to read a book like this or take numerical analysis.

  2. 4 out of 5

    Maladie

  3. 4 out of 5

    Jonas Sivertsen

  4. 4 out of 5

    Ashhar Bustan

  5. 4 out of 5

    G

  6. 5 out of 5

    Rachel

  7. 5 out of 5

    Parker Tichko

  8. 5 out of 5

    Jesús Gollonet

  9. 5 out of 5

    Guy Willems

  10. 5 out of 5

    Val

  11. 5 out of 5

    Ola

  12. 4 out of 5

    Mills College Library

    786.709 M281e 2013

  13. 4 out of 5

    Gabe

  14. 4 out of 5

    Svetoslav Nunev

  15. 5 out of 5

    Marciookayama

  16. 4 out of 5

    Margaret

  17. 4 out of 5

    Rafael Robayna

  18. 4 out of 5

    matthew l dean

  19. 4 out of 5

    Marcodd

  20. 4 out of 5

    William Davy

  21. 4 out of 5

    Erica

  22. 4 out of 5

    Marco

  23. 5 out of 5

    Chris Critcher

  24. 5 out of 5

    Vic Dillahay

  25. 5 out of 5

    Åsmund Rustand

  26. 4 out of 5

    John Paulson

  27. 4 out of 5

    Larry

  28. 5 out of 5

    Maxwell Syndstrom

  29. 5 out of 5

    Ricardo

  30. 4 out of 5

    Nathan

  31. 5 out of 5

    Wikimedia Italia

  32. 5 out of 5

    Michalis

  33. 5 out of 5

    Asier

  34. 4 out of 5

    Brandon

  35. 5 out of 5

    Matīss

  36. 4 out of 5

    Abram

  37. 5 out of 5

    Matus Kacmar

  38. 5 out of 5

    Rich Seymour

  39. 4 out of 5

    Steve Hancock

  40. 5 out of 5

    abcdefg

  41. 5 out of 5

    Jacob

  42. 5 out of 5

    Zherui Guo

  43. 5 out of 5

    Colin Morris

  44. 4 out of 5

    Ordet

  45. 4 out of 5

    Ido Livni

  46. 5 out of 5

    Wikimedia Italia

  47. 4 out of 5

    Chris

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